1 00:00:38,272 --> 00:00:40,341 GOOD MORNING, MR. HADEN. 2 00:00:40,374 --> 00:00:42,176 GOOD MORNING. 3 00:00:42,210 --> 00:00:45,246 YOU HAVE A VERY BEAUTIFUL HOUSE, MOST CHARMING. 4 00:00:45,279 --> 00:00:50,451 THANK YOU. HOWEVER THAT ISN'T WHY I BROUGHT YOU HERE, THAT IS. 5 00:00:50,484 --> 00:00:55,489 THERE'S YOUR MAN, ROSATTI. LUCAS MCCAIN. I KEEP THAT THERE TO 6 00:00:55,523 --> 00:00:59,327 REMIND ME EVERY MINUTE OF EVERY DAY THAT A SLUG FROM HIS RIFLE 7 00:00:59,360 --> 00:01:03,197 PUT ME IN THIS WHEELCHAIR FOR THE REST OF MY LIFE. I'VE DIED A 8 00:01:03,231 --> 00:01:06,500 THOUSAND DEATHS SINCE THAT SHOOTOUT WITH MCCAIN, BUT I'LL 9 00:01:06,534 --> 00:01:10,204 SETTLE FOR ONE, FAST, FINISH FOR HIM. 10 00:01:10,238 --> 00:01:11,672 YOU'LL HAVE IT. 11 00:01:11,705 --> 00:01:14,642 HERE'S EVERYTHING I'VE DUG UP ON HIM, GOING BACK TO WHEN HE 12 00:01:14,675 --> 00:01:18,212 LIVED IN ENID, OKLAHOMA. NOW IF YOU WANT MORE... 13 00:01:18,246 --> 00:01:21,249 IF I DO, MR. HADEN, I CAN MANAGE IT MYSELF. 14 00:01:21,282 --> 00:01:25,486 REMEMBER, REMEMBER THIS, BEFORE HE DIES, HE'S GOT TO KNOW 15 00:01:25,519 --> 00:01:28,756 I ARRANGED IT. I WENT TO A LOT OF TROUBLE TO BRING YOU HERE 16 00:01:28,789 --> 00:01:31,759 FROM NEW ORLEANS. I DON'T WANT IT TO BE FOR NOTHING. 17 00:01:31,792 --> 00:01:33,494 I NEVER FAIL, MR. HADEN. 18 00:01:33,527 --> 00:01:36,430 I TAKE PRIDE AND PLEASURE IN MY WORK. 19 00:01:36,464 --> 00:01:38,732 MCCAIN'S FAST WITH THAT RIFLE. 20 00:01:38,766 --> 00:01:40,134 THE MORE PRIDE FOR ME. 21 00:01:40,168 --> 00:01:42,136 AND HE'S SHREWD. 22 00:01:42,170 --> 00:01:43,771 THE MORE PLEASURE FOR ME. 23 00:01:43,804 --> 00:01:45,406 YOU'LL GET ONLY ONE CHANCE. 24 00:01:45,439 --> 00:01:47,841 DON'T MAKE A MISTAKE. 25 00:01:47,875 --> 00:01:49,277 THERE'LL BE NO MISTAKE. 26 00:01:49,310 --> 00:01:51,779 HOW CAN I BE SURE? 27 00:01:51,812 --> 00:01:56,184 I HAVE WAYS. I AM DIFFERENT. 28 00:01:56,217 --> 00:02:03,457 WHAT DO YOU MEAN YOU'RE DIFFERENT? 29 00:02:03,491 --> 00:02:05,826 IS THAT THE WAY YOU'LL DO IT? 30 00:02:05,859 --> 00:02:09,263 IT WILL DEPEND UPON MY MOOD. 31 00:02:38,626 --> 00:02:41,362 IT'S THE OTHER SIDE OF THE HILL, ON THE SOUTH 40. 32 00:02:41,395 --> 00:02:43,264 WELL, HOW MANY POSTS ARE DOWN? 33 00:02:43,297 --> 00:02:45,966 OH, ABOUT 3 OR 4. IT LOOKS LIKE THEY ROTTED OFF AT THE 34 00:02:45,999 --> 00:02:47,167 BASE. 35 00:02:47,201 --> 00:02:49,337 WELL, THERE'S ONLY 10 HEAD GRAZIN' OVER THERE. WE'LL ROUND 36 00:02:49,370 --> 00:02:51,505 'EM UP AND PUT 'EM ON THE EAST PASTURE 'TIL WE CAN PUT UP SOME 37 00:02:51,539 --> 00:02:53,574 NEW POSTS. 38 00:05:01,535 --> 00:05:04,738 LOOKING FOR SOMETHING, MISTER? 39 00:05:04,772 --> 00:05:06,907 WHAT ARE YOU DOING HERE? 40 00:05:06,940 --> 00:05:13,881 THE DOOR WAS UNLOCKED. I TOOK THE LIBERTY OF ENTERING. 41 00:05:13,914 --> 00:05:16,083 I WAS JUST ABOUT TO LEAVE A NOTE TO LET YOU KNOW THAT I HAD 42 00:05:16,116 --> 00:05:18,018 CALLED, MR. MCCAIN. 43 00:05:18,051 --> 00:05:20,788 YOU ARE LUCAS MCCAIN? 44 00:05:20,821 --> 00:05:23,657 THAT'S RIGHT. WHO ARE YOU? 45 00:05:23,691 --> 00:05:26,660 MY NAME IS MARIO ROSATTI. I'M SURE YOU NEVER HEARD OF ME, BUT 46 00:05:26,694 --> 00:05:27,795 I'VE CERTAINLY HEARD OF YOU. 47 00:05:27,828 --> 00:05:29,563 OH? HOW IS THAT? 48 00:05:29,597 --> 00:05:33,767 IN YOUR HOMETOWN, ENID, OKLAHOMA. 49 00:05:33,801 --> 00:05:38,005 I THINK...THIS WILL EXPLAIN. 50 00:05:39,106 --> 00:05:41,008 JOHNNY MORGAN! 51 00:05:41,041 --> 00:05:42,810 AND THE OTHER SIDE. 52 00:05:42,843 --> 00:05:45,813 JOHNNY MORGAN SAID HE WAS A GOOD FRIEND OF YOURS. 53 00:05:45,846 --> 00:05:47,881 THAT'S RIGHT, THE OLDEST AND THE BEST. 54 00:05:47,915 --> 00:05:50,784 ON MY JOURNEY WEST, I STOPPED IN OKLAHOMA. I NEEDED SOME LEGAL 55 00:05:50,818 --> 00:05:53,921 ADVICE AND JOHNNY MORGAN WAS MOST GRACIOUS AND HELPFUL. 56 00:05:53,954 --> 00:05:55,756 HE'S A MAN WITH A GREAT HEART. 57 00:05:55,789 --> 00:05:56,924 THAT'S JOHNNY, ALL RIGHT. 58 00:05:56,957 --> 00:05:59,059 I'M PLEASED TO MEET YOU, MR. ROSATTI. 59 00:05:59,092 --> 00:05:59,993 PLEASURE IS MINE. 60 00:06:00,027 --> 00:06:01,995 YOU SIT DOWN, I'LL GET YOU A CUP OF COFFEE. 61 00:06:02,029 --> 00:06:04,398 I'M ON MY WAY TO SAN FRANCISCO, AND JOHNNY SUGGESTED 62 00:06:04,432 --> 00:06:07,501 THAT I STOP TO SAY HELLO TO YOU DURING MY TWO DAY LAYOVER IN 63 00:06:07,535 --> 00:06:11,605 NORTH FORK. SO HERE I AM, AND HELLO FOR JOHNNY. 64 00:06:11,639 --> 00:06:14,708 HELLO. THE NAME IS ROSATTI, YOU SAY? 65 00:06:14,742 --> 00:06:16,610 YES, MARIO ROSATTI. 66 00:06:16,644 --> 00:06:20,147 OH, I'M SORRY ABOUT THAT GREETING I GAVE YOU, BUT... 67 00:06:20,180 --> 00:06:23,584 I UNDERSTAND. ONE CAN'T BE TOO CAREFUL ABOUT STRANGERS. 68 00:06:23,617 --> 00:06:26,687 WELL, ANY FRIEND OF JOHNNY'S IS NO STRANGER TO ME. 69 00:06:26,720 --> 00:06:27,688 THANK YOU. 70 00:06:27,721 --> 00:06:29,723 OH, MR. ROSATTI, THIS IS MY SON-- 71 00:06:29,757 --> 00:06:30,891 OH, YES, MARK! 72 00:06:30,924 --> 00:06:32,926 WELL, SEEMS LIKE MR. ROSATTI KNOWS A LITTLE BIT ABOUT US, 73 00:06:32,960 --> 00:06:33,794 SON. 74 00:06:33,827 --> 00:06:34,762 HOW DO YOU DO, MARK? 75 00:06:34,795 --> 00:06:35,896 HI, MR. ROSATTI. 76 00:06:35,929 --> 00:06:37,965 MR. ROSATTI'S STAYING IN NORTH FORK A FEW DAYS. HE'S A 77 00:06:37,998 --> 00:06:40,868 VERY GOOD FRIEND OF-- A FRIEND OF JOHNNY MORGAN'S. 78 00:06:40,901 --> 00:06:43,904 WELL, SEEMS LIKE MARK KNOWS LITTLE BIT ABOUT YOU, TOO. 79 00:06:43,937 --> 00:06:46,039 WELL, I SORT OF SIDLED UP TO THE DOOR. 80 00:06:46,073 --> 00:06:47,675 WHERE'S YOUR BAGGAGE? 81 00:06:47,708 --> 00:06:49,743 I LEFT IT WITH THE STATION MASTER. I CAME HERE DIRECTLY 82 00:06:49,777 --> 00:06:52,580 FROM THE TRAIN, RENTED A HORSE AND RODE OUT. 83 00:06:52,613 --> 00:06:54,648 WELL, MARK, DO YOU MIND SIDLIN' TO TOWN AND PICKING UP 84 00:06:54,682 --> 00:06:57,585 MR. ROSATTI'S BAGGAGE? HE'LL BE STAYING WITH US. 85 00:06:57,618 --> 00:06:59,453 OH, NO, NO, PLEASE. 86 00:06:59,487 --> 00:07:00,654 PLEASE, YOU'LL BE OUR GUEST. 87 00:07:00,688 --> 00:07:02,790 AND WE DON'T TAKE NO FOR AN ANSWER. 88 00:07:02,823 --> 00:07:07,060 SEE WHAT I MEAN? ALL RIGHT, SON, GET GOING. WE'LL SET UP A 89 00:07:07,094 --> 00:07:09,463 COT FOR YOU HERE IN THE LIVING ROOM. 90 00:07:09,497 --> 00:07:11,465 BUT PLEASE BELIEVE ME, MR. MCCAIN-- 91 00:07:11,499 --> 00:07:14,568 NOW, LOOK, YOU CALL ME LUCAS, I'LL CALL YOU MARIO, ALL RIGHT? 92 00:07:14,602 --> 00:07:17,905 THANK YOU, LUCAS. BUT PLEASE BELIEVE ME, I WASN'T PLANNING ON 93 00:07:17,938 --> 00:07:19,106 ANYTHING LIKE THIS. 94 00:07:19,139 --> 00:07:21,609 WELL, WHO SAID YOU WERE? IT WAS STRICTLY MY IDEA. YOU FINISH 95 00:07:21,642 --> 00:07:23,911 YOUR COFFEE, I'LL PUT YOUR HORSE AWAY. YOU'VE HAD A PRETTY LONG 96 00:07:23,944 --> 00:07:25,145 RIDE. 97 00:07:25,178 --> 00:07:29,550 LUCAS, HOW CAN I REPAY YOU FOR ALL THIS? 98 00:07:29,583 --> 00:07:31,552 JUST MAKE YOURSELF AT HOME. 99 00:07:47,901 --> 00:07:51,739 MARIO? I...I WAS THINKING. 100 00:07:51,772 --> 00:07:55,609 IT SURE IS HARD TO BELIEVE. 101 00:07:55,643 --> 00:07:57,845 WHAT? 102 00:07:57,878 --> 00:08:01,014 YOUR REASON FOR COMING HERE. 103 00:08:01,048 --> 00:08:03,083 HARD TO BELIEVE? 104 00:08:03,116 --> 00:08:06,019 YEAH, WHAT YOU WERE TELLING PA AND ME AT SUPPER. ABOUT THE 105 00:08:06,053 --> 00:08:08,589 WAY THINGS ARE IN YOUR COUNTRY? 106 00:08:08,622 --> 00:08:13,026 OH. SIT DOWN, MARK. 107 00:08:16,263 --> 00:08:18,298 ALL THOSE PEOPLE WORKING THE LAND FROM THE TIME THEY'RE 108 00:08:18,331 --> 00:08:22,536 YOUNG 'TIL THE TIME THEY DIE, AND... AND THEN JUST TO HAVE 109 00:08:22,570 --> 00:08:26,306 SOMEONE COME IN AND TAKE IT ALL AWAY FROM THEM. TO ALWAYS LIVE 110 00:08:26,339 --> 00:08:28,208 IN SUCH FEAR. 111 00:08:28,241 --> 00:08:30,210 SOCIETY'S SOMETHING TO FEAR. 112 00:08:30,243 --> 00:08:33,213 NEVER KNOWING WHEN OR WHERE IT'S GOING TO STRIKE. 113 00:08:33,246 --> 00:08:36,149 YEAH, BUT...BUT THEY'RE JUST A BUNCH OF BANDITS. 114 00:08:36,183 --> 00:08:39,086 MUCH MORE, IT'S AN ORGANIZATION. IT SPREADS FAR 115 00:08:39,119 --> 00:08:42,089 AND WIDE LIKE THE TENTACLES OF AN OCTOPUS. 116 00:08:42,122 --> 00:08:46,093 AND NO ONE TRIES TO STOP THEM? 117 00:08:46,126 --> 00:08:49,196 FEAR PARALYZES MOST MEN, MARK. 118 00:08:49,229 --> 00:08:51,999 BUT AT LEAST A FEW BRAVE ONES HAVE SPOKEN UP. 119 00:08:52,032 --> 00:08:53,767 AND? 120 00:08:53,801 --> 00:08:56,637 UNFORTUNATELY, FOR THE MOST PART, THEIR VOICES WERE STILLED 121 00:08:56,670 --> 00:08:59,306 EITHER BY A BULLET THROUGH THE HEART, A STILETTO THROUGH THE 122 00:08:59,339 --> 00:09:02,342 THROAT OR THE GARROTE. 123 00:09:02,375 --> 00:09:03,343 GARROTE? 124 00:09:03,376 --> 00:09:06,580 YES, IT'S WEAPON OF STRANGULATION PRIZED BY THE 125 00:09:06,614 --> 00:09:11,084 SOCIETIES. TRAINED PROFESSIONAL ASSASSINS. THEY COME IN THE 126 00:09:11,118 --> 00:09:14,054 MIDDLE OF THE NIGHT, WHERE THE VICTIM IS SLEEPING. AND WITH ONE 127 00:09:14,087 --> 00:09:20,093 HARD PULL, HIS LIFE IS SNUFFED OUT. 128 00:09:20,127 --> 00:09:24,197 WELL, ANYHOW, THAT'S ALL BEHIND YOU NOW. 129 00:09:24,231 --> 00:09:27,100 THE WOUND HEALS, MARK, BUT THERE'S ALWAYS THE SCAR TO 130 00:09:27,134 --> 00:09:29,903 REMIND ONE OF THE PAIN. 131 00:09:29,937 --> 00:09:34,374 YOU'LL FORGET. IN THIS COUNTRY, A MAN KEEPS WHAT HE 132 00:09:34,407 --> 00:09:36,677 WORKS FOR. 133 00:09:36,710 --> 00:09:39,279 I GUESS I'LL HAVE TO GET USED TO THAT. 134 00:09:39,312 --> 00:09:43,150 WELL, LIKE MY PA SAYS, "WITH HARD WORK, THERE'S NOTHING YOU 135 00:09:43,183 --> 00:09:46,787 SET YOUR MIND TO THAT YOU CAN'T GET." WELL, AND THERE'S NOTHING 136 00:09:46,820 --> 00:09:50,190 TO FEAR EITHER. OF COURSE, I'M NOT SAYING THAT WE NEVER RUN 137 00:09:50,223 --> 00:09:53,393 INTO ANY TROUBLE, BUT THEN MY PA, WHY, HE STANDS UP AND 138 00:09:53,426 --> 00:09:54,828 FIGHTS. 139 00:09:54,862 --> 00:09:56,363 AND HE USUALLY WINS? 140 00:09:56,396 --> 00:10:01,068 OH, HE ALWAYS WINS, AGAINST ALL COMERS. 141 00:10:01,101 --> 00:10:02,402 GOOD EVENING. 142 00:10:02,435 --> 00:10:04,872 LUCAS? I ENVY YOU. 143 00:10:04,905 --> 00:10:06,273 HMM? 144 00:10:06,306 --> 00:10:08,341 YOU HAVE A PASSIONATE CHAMPION. 145 00:10:08,375 --> 00:10:11,679 OH, I WOULDN'T SAY HE'S EXACTLY A FAIR JUDGE. 146 00:10:11,712 --> 00:10:13,413 WELL, I WOULD LIKE TO KNOW WHO THERE IS AROUND HERE OR 147 00:10:13,446 --> 00:10:15,415 ANYWHERE WHO CAN GET THE BETTER OF YOU. 148 00:10:15,448 --> 00:10:17,417 WELL, THERE MUST BE SOMEBODY. 149 00:10:17,450 --> 00:10:21,354 I DON'T THINK SO. I AGREE WITH MARK. THAT'S EXACTLY THE 150 00:10:21,388 --> 00:10:25,225 WAY I FELT ABOUT MY FATHER, SO IT MUST BE TRUE. 151 00:10:25,258 --> 00:10:27,294 WELL, IT'S A BIG DAY TOMORROW, SON. LET'S TURN IN, 152 00:10:27,327 --> 00:10:28,328 HUH? GOOD NIGHT, MARIO. 153 00:10:28,361 --> 00:10:29,196 GOOD NIGHT, LUCAS. 154 00:10:29,229 --> 00:10:30,063 GOOD NIGHT. 155 00:10:30,097 --> 00:10:32,265 GOOD NIGHT, MARK. 156 00:11:06,066 --> 00:11:09,102 UH, IT GETS KIND OF CHILLY AT NIGHT, YOU...YOU MIGHT WANNA USE 157 00:11:09,136 --> 00:11:10,403 THIS BLANKET. 158 00:11:10,437 --> 00:11:12,439 THANK YOU, MARK. 159 00:11:17,878 --> 00:11:22,716 MARIO? I...I SURE I'M GLAD YOU'RE STAYING HERE. 160 00:11:22,750 --> 00:11:24,752 THANK YOU. 161 00:12:37,825 --> 00:12:40,060 [GUNSHOTS] OH, MARIO, I DIDN'T HEAR YOU 162 00:13:16,629 --> 00:13:17,831 COME UP. 163 00:13:17,865 --> 00:13:20,367 I'M SORRY, LUCAS, BUT I GUESS I HAVE THE OLD COUNTRY HABIT OF 164 00:13:20,400 --> 00:13:21,501 WALKING TOO QUIETLY. 165 00:13:21,534 --> 00:13:23,436 OH, THAT'S ALL RIGHT, I WAS JUST CHECKING MY RIFLE. SAY, 166 00:13:23,470 --> 00:13:25,305 HOW WOULD YOU LIKE TO TAKE A RIDE WITH ME? I'LL SHOW YOU 167 00:13:25,338 --> 00:13:26,974 SOME OF OUR COUNTRY. 168 00:13:27,007 --> 00:13:28,508 NO, THANK YOU. I DON'T WANT YOU TO TROUBLE YOURSELF. 169 00:13:28,541 --> 00:13:31,444 NO, IT'S NO TROUBLE. BESIDES, IT MUST BE PRETTY DULL FOR YOU 170 00:13:31,478 --> 00:13:32,579 AROUND HERE. 171 00:13:32,612 --> 00:13:33,981 DULL? 172 00:13:34,014 --> 00:13:35,949 OH, I MEAN NOTHING VERY EXCITING TO DO. 173 00:13:35,983 --> 00:13:38,251 ON THE CONTRARY, WHAT YOU WOULD CONSIDER COMMONPLACE, 174 00:13:38,285 --> 00:13:39,419 I FIND QUITE EXCITING. 175 00:13:39,452 --> 00:13:41,354 WELL, THEN, WE OUGHTA RIDE UP TO TWIN PEAKS, YOU'D REALLY 176 00:13:41,388 --> 00:13:44,324 ENJOY IT UP THERE. 177 00:13:44,357 --> 00:13:46,459 I JUST REMEMBERED, I CAN'T. 178 00:13:46,493 --> 00:13:49,062 I PROMISED TO HELP MARK AS SOON AS HE CAME BACK FROM TOWN. 179 00:13:49,096 --> 00:13:50,964 OH, HE'S BEEN WORKING ON YOU, HAS HE? 180 00:13:50,998 --> 00:13:51,999 WELL... 181 00:13:52,032 --> 00:13:53,366 HE'S BEEN WORKING ON ME, TOO. 182 00:13:53,400 --> 00:13:56,236 WANTS YOU TO STAY A WHILE LONGER. YOU KNOW, MARIO, HE'S 183 00:13:56,269 --> 00:13:59,206 TAKEN MORE THAN AN ORDINARY SHINE TO YOU. HE'S NEVER QUITE 184 00:13:59,239 --> 00:14:03,443 MET ANYBODY LIKE YOU. WHY DON'T YOU STAY A FEW EXTRA DAYS? 185 00:14:03,476 --> 00:14:06,914 NO, I'M SORRY. THERE ARE THINGS TO BE DONE. I MUST BE ON 186 00:14:06,947 --> 00:14:09,349 THE TRAIN TOMORROW NIGHT. 187 00:15:06,073 --> 00:15:09,943 NEVER DO THAT! NEVER STEAL UP BEHIND ME LIKE THAT. 188 00:15:09,977 --> 00:15:12,712 BUT-- DO YOU HEAR ME, NEVER! YOU 189 00:15:12,745 --> 00:15:18,618 COULD HAVE BEEN KILLED. WHAT DO YOU WANT? WHY DID YOU COME TO ME 190 00:15:18,651 --> 00:15:20,420 ANYWAY? 191 00:15:20,453 --> 00:15:25,658 I...I...I THOUGHT SOMETHING WAS WRONG. 192 00:15:25,692 --> 00:15:27,627 WRONG? 193 00:15:27,660 --> 00:15:30,563 THE...THE WAY YOU WERE STANDING HERE AND LOOKING OVER 194 00:15:30,597 --> 00:15:34,101 THERE, I... 195 00:15:34,134 --> 00:15:35,335 I'M SORRY IF I FRIGHTENED YOU. 196 00:15:35,368 --> 00:15:37,370 WAIT. 197 00:15:43,410 --> 00:15:45,412 IT IS I WHO AM SORRY. 198 00:15:47,780 --> 00:15:50,750 PLEASE FORGIVE ME, MARK. 199 00:15:50,783 --> 00:15:53,386 SURE. 200 00:15:53,420 --> 00:15:56,623 I WAS LOOKING INTO THE PAST. 201 00:15:56,656 --> 00:15:59,526 RELIVING THAT DAY. 202 00:15:59,559 --> 00:16:02,562 WHAT DAY? 203 00:16:02,595 --> 00:16:06,533 THAT DAY. 204 00:16:06,566 --> 00:16:10,503 FIRST THERE WAS THE MORNING, IN THE MARKETPLACE OF OUR VILLAGE. 205 00:16:10,537 --> 00:16:15,208 MY FATHER SPOKE TO THE OTHER MEN WHO HAD GATHERED THERE. 206 00:16:15,242 --> 00:16:19,512 HE SPOKE OPENLY AGAINST THE SOCIETIES. HE DARED TO SAY IN 207 00:16:19,546 --> 00:16:21,781 PUBLIC THAT THEY HAVE TO STAND UP AND FIGHT FOR WHAT WAS 208 00:16:21,814 --> 00:16:25,585 RIGHTFULLY THEIRS. 209 00:16:25,618 --> 00:16:29,722 I CAN STILL SEE THE DAZZLING FIRE IN HIS EYES AND THE 210 00:16:29,756 --> 00:16:36,096 NEWBORN HOPE IT KINDLED IN THE FACES OF HIS LISTENERS. 211 00:16:36,129 --> 00:16:39,566 HE...HE WAS A BRAVE MAN, YOUR PA. 212 00:16:39,599 --> 00:16:41,468 HE WAS A BEAUTIFUL MAN. 213 00:16:44,104 --> 00:16:48,541 THAT AFTERNOON MY FATHER AND I WERE OUT IN THE FIELDS. IT WAS 214 00:16:48,575 --> 00:16:52,545 EARLY SPRING JUST AS IT IS NOW. 215 00:16:52,579 --> 00:16:55,748 MY FATHER SANG AS WE WALKED. 216 00:16:55,782 --> 00:17:00,720 THE SUN WAS PLEASANT ON OUR BACKS. 217 00:17:00,753 --> 00:17:08,661 THEN A HORSEMAN RODE UP. NOT A WORD WAS SAID. THE HORSEMAN 218 00:17:08,695 --> 00:17:11,531 FIRED HIS GUN. 219 00:17:11,564 --> 00:17:15,802 MY FATHER FELL DEAD. 220 00:17:15,835 --> 00:17:25,245 THE HORSEMAN TURNED AND RODE AWAY. 221 00:17:25,278 --> 00:17:29,782 THERE WAS A HILL ON THE EDGE OF OUR FIELD. SO STRANGELY THE SAME 222 00:17:29,816 --> 00:17:36,723 AS THAT. MY FATHER LOVED THAT PLACE THE MOST. WHEN WE 223 00:17:36,756 --> 00:17:40,660 FINISHED INSPECTING THE FIELDS, WE WOULD SIT THERE AND HE WOULD 224 00:17:40,693 --> 00:17:46,466 TELL ME STORIES. BEING WITH HIM, LISTENING TO HIM, I WAS 225 00:17:46,499 --> 00:17:55,508 COMPLETELY HAPPY. MY FATHER WAS SUCH A WONDERFUL MAN. 226 00:17:55,542 --> 00:18:03,316 I BURIED HIM THERE, THEN I SET OUT TO AVENGE HIM, FIND HIS 227 00:18:03,350 --> 00:18:04,817 MURDERER. 228 00:18:07,920 --> 00:18:12,125 MARIO? 229 00:18:12,159 --> 00:18:15,328 YES? 230 00:18:15,362 --> 00:18:21,701 DID YOU FIND THE MAN WHO KILLED YOUR PA? 231 00:18:21,734 --> 00:18:23,836 I FOUND HIM. 232 00:18:23,870 --> 00:18:27,774 DID YOU KILL HIM? 233 00:18:27,807 --> 00:18:29,409 MANY TIMES. 234 00:18:36,916 --> 00:18:39,486 MANY TIMES. 235 00:18:52,699 --> 00:18:54,801 I DON'T UNDERSTAND, PA. 236 00:18:54,834 --> 00:18:57,837 THE WAY MARIO GOT UP AND WENT OUT AFTER SUPPER WITHOUT EVEN 237 00:18:57,870 --> 00:18:59,005 SAYING ANYTHING. 238 00:18:59,038 --> 00:19:01,808 WELL, HE SAID HE WAS GOING FOR A WALK, THAT'S SOMETHING. 239 00:19:01,841 --> 00:19:03,443 NO, THAT'S NOT WHAT I MEAN. 240 00:19:03,476 --> 00:19:05,512 HE...HE DIDN'T SAY WHY. 241 00:19:05,545 --> 00:19:07,914 THERE'S NOTHING MYSTERIOUS ABOUT A MAN WANTING TO BE BY 242 00:19:07,947 --> 00:19:08,815 HIMSELF FOR A BIT, SON. 243 00:19:08,848 --> 00:19:11,551 YEAH, BUT THAT WAS A COUPLE OF HOURS AGO. 244 00:19:11,584 --> 00:19:18,891 MARK, LET HIM BE. HE'LL COME BACK WHEN HE'S READY. 245 00:19:18,925 --> 00:19:20,327 MANY TIMES. 246 00:19:20,360 --> 00:19:21,494 HMM? 247 00:19:21,528 --> 00:19:24,731 WHAT MARIO SAID ABOUT KILLING THE MAN WHO MURDERED HIS PA. 248 00:19:24,764 --> 00:19:26,566 MAYBE YOU MISUNDERSTOOD HIM. 249 00:19:26,599 --> 00:19:29,202 NO, I HEARD HIM CLEAR, PA. 250 00:19:29,236 --> 00:19:31,404 "MANY TIMES," HE SAID. 251 00:19:31,438 --> 00:19:33,406 WHAT COULD THAT MEAN? 252 00:19:33,440 --> 00:19:36,343 WELL, IT COULD MEAN HE'S LIVED IT OVER AND OVER AGAIN. 253 00:19:36,376 --> 00:19:40,613 A THING LIKE THAT IS NOT EASY TO FORGET. 254 00:19:40,647 --> 00:19:42,882 WELL, I'M GOING TO BED, PA. 255 00:19:42,915 --> 00:19:45,518 I GUESS, I WILL, TOO. 256 00:21:58,651 --> 00:22:00,587 WHAT IS THIS, MARIO? 257 00:22:00,620 --> 00:22:01,988 TIME FOR ME TO LEAVE. 258 00:22:02,021 --> 00:22:03,890 LEAVE? IT'S NOT EVEN NOON YET. 259 00:22:03,923 --> 00:22:06,659 NEVERTHELESS, IT'S TIME FOR ME TO GO. 260 00:22:06,693 --> 00:22:08,728 BUT YOUR TRAIN DOESN'T LEAVE TILL 8 O'CLOCK TONIGHT? 261 00:22:08,761 --> 00:22:11,631 I'M NOT GOING TO SAN FRANCISCO, CHANGE IN PLANS. 262 00:22:11,664 --> 00:22:13,566 OH, SUDDEN THOUGH, ISN'T IT? 263 00:22:13,600 --> 00:22:14,734 THAT'S MY WAY. 264 00:22:14,767 --> 00:22:16,536 WHAT ABOUT MARK, AREN'T YOU GONNA WAIT 'TIL HE COMES HOME 265 00:22:16,569 --> 00:22:17,704 FOR LUNCH? 266 00:22:17,737 --> 00:22:20,473 IT'S BEST THAT I NEVER SEE HIM AGAIN. IT'S BEST FOR ME AS 267 00:22:20,507 --> 00:22:22,642 WELL AS HIM. 268 00:22:22,675 --> 00:22:24,811 WHAT'RE YOU TALKING ABOUT? 269 00:22:28,080 --> 00:22:29,782 WHAT'RE YOU DOING, MARIO? 270 00:22:29,816 --> 00:22:31,651 WHAT I WAS PAID TO DO. 271 00:22:31,684 --> 00:22:32,852 PAID TO DO? 272 00:22:32,885 --> 00:22:36,055 WHAT I CAME HERE FOR, KILL YOU. I WAITED UNTIL NOW BECAUSE 273 00:22:36,088 --> 00:22:39,826 I HAD AN UNEXPECTED PROBLEM, YOUR SON. BUT IN MY BUSINESS, I 274 00:22:39,859 --> 00:22:41,861 CAN'T AFFORD PERSONAL FEELINGS. 275 00:22:41,894 --> 00:22:47,734 A JOB IS A JOB, JUST AS IT IS NOW. 276 00:22:47,767 --> 00:22:49,736 DON'T TRY FOR YOUR RIFLE, LUCAS. 277 00:22:49,769 --> 00:22:51,504 YOU HAVEN'T GOT A CHANCE. 278 00:22:51,538 --> 00:22:55,107 Lucas: MARIO, WHY ME? 279 00:22:55,141 --> 00:22:56,409 Mario: RALPH HADEN. 280 00:22:56,443 --> 00:22:57,610 Lucas: HADEN? 281 00:22:57,644 --> 00:23:01,180 MY CLIENT, AND HE WANTED THE SATISFACTION OF YOU KNOWING IT 282 00:23:01,213 --> 00:23:05,452 BEFORE YOU DIED. THOSE ARE HIS FEELINGS IN THE MATTER, MINE ARE 283 00:23:05,485 --> 00:23:08,120 PURELY BUSINESS. NOW... 284 00:23:10,623 --> 00:23:13,159 PA?! 285 00:23:20,032 --> 00:23:21,634 [THUD] WHAT'RE YOU THINKING ABOUT, 286 00:23:45,725 --> 00:23:48,561 SON? 287 00:23:48,595 --> 00:23:52,932 ALL ALONG MARIO HAD PLANNED TO KILL YOU. 288 00:23:52,965 --> 00:23:56,102 SOMETHING HAPPENED TO CHANGE HIS PLANS. 289 00:23:56,135 --> 00:23:58,471 WHAT DO YOU MEAN? 290 00:23:58,505 --> 00:24:01,741 WELL, IN THAT ONE SPLIT MOMENT, HE FOUND HIMSELF AND HIS 291 00:24:01,774 --> 00:24:04,210 FATHER IN YOU AND ME. 292 00:24:04,243 --> 00:24:05,812 SPLIT MOMENT? 293 00:24:05,845 --> 00:24:07,747 WHEN YOU TOSSED ME THAT RIFLE, MARK, HE COULD HAVE 294 00:24:07,780 --> 00:24:11,618 EASILY FIRED. HE WAS AN EXPERT, A PROFESSIONAL. HE HAD ME, SON, 295 00:24:11,651 --> 00:24:14,153 BUT HE DIDN'T SQUEEZE THE TRIGGER. 296 00:24:14,186 --> 00:24:16,222 THEN HE WANTED TO DIE? 297 00:24:16,255 --> 00:24:19,559 I THINK IN THAT ONE MOMENT, HE REALIZED HE NO LONGER HAD 298 00:24:19,592 --> 00:24:23,162 ANYTHING TO LIVE FOR. HE FOUND A WAY OF GOING HOME, MARK. 299 00:24:23,195 --> 00:24:25,498 FOR GOOD. 300 00:24:28,000 --> 00:24:34,641 YOU KNOW, PA, IT MAY...MAY SOUND KIND OF STRANGE BUT... 301 00:24:34,674 --> 00:24:37,610 BUT I THINK I KNOW HOW HE FELT.